These overprotective fathers have been played by such Hollywood heavy-hitters as Bruce Willis and Robert De Niro.Who knew that William Shakespeare was already using this motif well before the Pilgrims landed in Plymouth? In Brabantio, father of Desdemona, unwilling father-in-law of Othello, appears in all three scenes of Act I of the play. Brabantio Character Analysis New! He is woken in the first scene by panicked shouts of ‘thieves!’ in the dead of night. This lesson presents an analysis of the character Brabantio, father of Desdemona and Senator of Venice in Shakespeare's 'Othello.'
With Would you like to get a custom essay? Desdemona's father, Brabantio, is a rich and important Venetian politician. He likes Othello and invites him to visit his house a lot—but he never expected Othello to "steal" his daughter. This lesson presents an analysis of the character Brabantio, father of Desdemona and Senator of Venice in Shakespeare’s ‘Othello.’ You will see how Brabantio expresses his attitudes toward his daughter and her husband.You’ve probably seen a television show or movie recently that featured the comically neurotic father of a cherished daughter who decides to marry. Brabantio is an influential senator in the state of Venice where Othello, a Moor has become a general.The senator is very fond of Othello’s bravery. A senator in Venice and Desdemona 's father. Desdemona's father, Brabantio, is a rich and important Venetian politician. They urge him to check for himself whether Desdemona is in her bedroom. He expresses a similar sentiment, but with more bitterness and intensity, after Desdemona confirms that Othello is innocent of using potions or dark magic to steal her away:His use of the term ‘jewel’ implies that she is treasured as a possession rather than loved as a person, and the reader can almost hear the bitter sarcasm in its delivery.In isolation, Brabantio’s attitude toward Roderigo might indicate that Brabantio, like the fathers in modern comedies, is equally hostile to all contenders for his daughter’s hand. Considering Overly Concerned Fathers You’ve probably seen a television show or movie recently that featured the comically neurotic father of a cherished […] Brabantio Character Analysis in Othello, the tragic play written by William Shakespeare Brabantio is an influential senator in the state of Venice where Othello , a Moor has become a general. When Brabantio later confronts Othello in Act I, Scene 2, he refers to Othello’s ‘sooty bosom,’ and suggests to love him would go against nature itself while subjecting Desdemona, and perhaps Brabantio as well, to public mockery. The title character of the play, Othello is a Moorish general of Venice. Othello. The senator is very fond of Othello’s bravery. Brabantio is an old man and a Senator of Venice.. He doesn’t seem to recognize her capacity for entering into a mature relationship with a man, and keeps her trapped in perpetual childhood. The audience does know what the character doesn’t, however, making it an instance of So what do we know about Brabantio as a possessive father? He exits to check on his daughter and soon returns, distraught to realize that Othello, in a sense, truly has stolen Desdemona away by eloping with her.Brabantio as a character is every bit the overprotective father, but in some ways, he represents the pull of youth on Desdemona as well. By bringing her into the adult institution of marriage, Othello is not only a thief, but almost a child molester, who has ‘Abused her delicate youth.’Brabantio is obviously agitated when he learns the truth, and rapidly shifts from blaming Desdemona to grasping at wild explanations. No one is good enough for his baby, and being his son-in-law, or prospective son-in-law, means navigating a minefield of suspicion and disapproval.
Brabantio Character Analysis in Othello; Discuss the character of Brabantio Brabantio is an influential senator in the state of Venice where Othello, a Moor has become a general. Chaming guy.Brabantio's irrational fears about his daughter's interracial marriage make him a central figure in the play's examination of race and sex (which you can read more about in our "Wow: here Brabantio is equating "eloping to get married to a black man" to "cheating on her husband." Roderigo may be a witless carouser to Brabantio, but only Othello is another ‘thing,’ one that merits a virtual monster hunt, like rampaging villagers in an early horror movie:Just before Brabantio makes his exit from Act I, Scene 3, and from the play itself, the Duke clearly recognizes the racial dimension of Brabantio’s animosity, saying,Brabantio’s final words show no acceptance of the Duke’s message, no desire to reconcile with Othello or his daughter.