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Erykah’s a giant, and she attacks her self-referential “Hotline Bling (BUT YOU CAINT USE MY PHONE MIX),” her first new song in what feels like ages, as a lioness toying with her dinner.Badu begins by rewriting Drake’s chorus, imbuing an audacious soul it didn’t know it needed as she spices up melodies and replaces the hollow “You used to call me on my cell phone” with the punchier “You used to call me on my cell-u-lar de-vice at night.” Just when you think Drake’s song’s been fully coopted, she does away with the beat too, swapping the Timmy Thomas sample and trap drums of Toronto producer Nineteen85’s original production for a bed of luscious keys, tambourines to keep time, and sparse wire brush snare hits for personality. Very few songs in life can create such powerful moments such as these, far less covers, so when they do you have to acknowledge the sophisticated level of trollery at work. —By signing up to the VICE newsletter you agree to receive electronic communications from VICE that may sometimes include advertisements or sponsored content.North Korea seems to be making good on its threat to cut all ties with its neighbor.Calls to New York’s domestic violence hotline rose by 30% in April, compared to the same month last year.Victims are being deprived of hand sanitizer, antibacterial soap, and showers, according to the National Domestic Violence Hotline. —Mila J’s “Hotline Bling Bling” sounds like Drake’s original trick-or-treating as Chris Brown’s “Deuces,” which goes over much better than it sounds like it would on paper. The reversal’s simple, but pair it with the pleading urgency and casual technical excellence of Keyshia Cole’s singing, and you get a powerful entry in the Drake covers arms race. It’s earnest, tender, and very preciously vocalized—if your two favorite Glee characters spent the first two acts of an episode in a lover’s quarrel, you can totally hear this as the climactic “Are we still a thing?” duet that reunites them, or in the true spirit of “Hotline Bling,” rips them apart for good.
But hey it's all in good fun, and backup guitarists Adrian and Eric tried their best. Source video - Top clips - Next line quiz Mabel - Don't Call Me Up - Duration: 3:15. "Investing in music royalties... is pure passive income. Mabel Recommended for you. "Ever Since I Left The City" choreography by Darian Callais - Duration: 1:01. And as a result it falls flat. Look below for a roundup of all the noteworthy “Hotline Bling” remixes, from the good to the bad to the “Dawg, are you fuckin kidding?”"Dawg, are you fucking?" Here, the hotline’s still blinging, but it’s not for her, it’s for a boy she’s seeing who’s got a wandering eye when she’s not around. kelkings. Oct 19 2015, 5:26pm. Ever since I left the city, you, you, you. 10w. Perhaps someone else will feel as strongly about the song and video for a completely different set of reasons, artistry has the ability to do that too… I still can’t believe I’m speaking about this guy like he’s a genius but he got me with this one… Perhaps the over saturation of celebrity images and gossip can blind one to their talent, I knew he could rhyme but at this moment I wouldn’t be surprised if he still broke the charts in 20 years (yes 20 not 10 like he says in his other song). Perhaps someone else will feel as strongly about the song and video for a completely different set of reasons, artistry has the ability to do that too… I still can’t believe I’m speaking about this guy like he’s a genius but he got me with this one… Perhaps the over saturation of celebrity images and gossip can blind one to their talent, I knew he could rhyme but at this moment I wouldn’t be surprised if he still broke the charts in 20 years (yes 20 not 10 like he says in his other song). When a trifling beau is told to come get his shit on 1998’s “Tyrone,” she waves him off to call a friend to help pack, pettily snarking “But you cain’t use my phone.” A decade later “Telephone” recounted the chilling tale of late, great friend and collaborator J. Dilla in his darkest illness saying he’d spoken to Ol’ Dirty Bastard and received directions to heaven. Artistry is timeless, and since he has the means to have his talent heard by the world – the sky is the limit for this man who had an album cover with his head in the clouds (bit too obvious but I guess artists will always push the envelope).Fill in your details below or click an icon to log in:You used to call me on my, you used to, you used to Please let Auto-Tune/cast-privy Shumpert and this song be a lesson that good intentions can have horrible, horrible outcomes. Ironically, Yuna’s rendition is most Drake-like in execution—she comes around but doesn’t do much else besides give a straight read of the material in her own voice. Thing is, Drake’s lyric is unremarkably meat-and-potatoes in spots, and you can tell because everyone who succeeded at remaking it did so either by singing the shit out of it, tweaking the lyrics, or some clever combination of both.
Loading... Unsubscribe from MrQuelika? Drake - Hotline Bling. Supposedly there’s a whole mixtape of these reduxes forthcoming, and everyone should be very scared. Brandi Ellard 228 views.
When Chris Brown and Tyga and all them thought they got one over on bad girls with “Loyal,” Keysh assembled a ragtag band of underrated hip-hop/R&B Avengers—Mila J, K. Michelle, Lil Mo, Da freaking Brat—and coldly flipped it on the boys.
When you be looking dope and ah be admiring like want to have some attention from you. The evil robot harmonies shadowing her voice are an intriguing armament, but the song really opens up when she ditches em and fans her lead vocal out into three interlocking parts two-thirds of the way through.
Erykah’s a giant, and she attacks her self-referential “Hotline Bling (BUT YOU CAINT USE MY PHONE MIX),” her first new song in what feels like ages, as a lioness toying with her dinner.Badu begins by rewriting Drake’s chorus, imbuing an audacious soul it didn’t know it needed as she spices up melodies and replaces the hollow “You used to call me on my cell phone” with the punchier “You used to call me on my cell-u-lar de-vice at night.” Just when you think Drake’s song’s been fully coopted, she does away with the beat too, swapping the Timmy Thomas sample and trap drums of Toronto producer Nineteen85’s original production for a bed of luscious keys, tambourines to keep time, and sparse wire brush snare hits for personality. Very few songs in life can create such powerful moments such as these, far less covers, so when they do you have to acknowledge the sophisticated level of trollery at work. —By signing up to the VICE newsletter you agree to receive electronic communications from VICE that may sometimes include advertisements or sponsored content.North Korea seems to be making good on its threat to cut all ties with its neighbor.Calls to New York’s domestic violence hotline rose by 30% in April, compared to the same month last year.Victims are being deprived of hand sanitizer, antibacterial soap, and showers, according to the National Domestic Violence Hotline. —Mila J’s “Hotline Bling Bling” sounds like Drake’s original trick-or-treating as Chris Brown’s “Deuces,” which goes over much better than it sounds like it would on paper. The reversal’s simple, but pair it with the pleading urgency and casual technical excellence of Keyshia Cole’s singing, and you get a powerful entry in the Drake covers arms race. It’s earnest, tender, and very preciously vocalized—if your two favorite Glee characters spent the first two acts of an episode in a lover’s quarrel, you can totally hear this as the climactic “Are we still a thing?” duet that reunites them, or in the true spirit of “Hotline Bling,” rips them apart for good.
But hey it's all in good fun, and backup guitarists Adrian and Eric tried their best. Source video - Top clips - Next line quiz Mabel - Don't Call Me Up - Duration: 3:15. "Investing in music royalties... is pure passive income. Mabel Recommended for you. "Ever Since I Left The City" choreography by Darian Callais - Duration: 1:01. And as a result it falls flat. Look below for a roundup of all the noteworthy “Hotline Bling” remixes, from the good to the bad to the “Dawg, are you fuckin kidding?”"Dawg, are you fucking?" Here, the hotline’s still blinging, but it’s not for her, it’s for a boy she’s seeing who’s got a wandering eye when she’s not around. kelkings. Oct 19 2015, 5:26pm. Ever since I left the city, you, you, you. 10w. Perhaps someone else will feel as strongly about the song and video for a completely different set of reasons, artistry has the ability to do that too… I still can’t believe I’m speaking about this guy like he’s a genius but he got me with this one… Perhaps the over saturation of celebrity images and gossip can blind one to their talent, I knew he could rhyme but at this moment I wouldn’t be surprised if he still broke the charts in 20 years (yes 20 not 10 like he says in his other song). Perhaps someone else will feel as strongly about the song and video for a completely different set of reasons, artistry has the ability to do that too… I still can’t believe I’m speaking about this guy like he’s a genius but he got me with this one… Perhaps the over saturation of celebrity images and gossip can blind one to their talent, I knew he could rhyme but at this moment I wouldn’t be surprised if he still broke the charts in 20 years (yes 20 not 10 like he says in his other song). When a trifling beau is told to come get his shit on 1998’s “Tyrone,” she waves him off to call a friend to help pack, pettily snarking “But you cain’t use my phone.” A decade later “Telephone” recounted the chilling tale of late, great friend and collaborator J. Dilla in his darkest illness saying he’d spoken to Ol’ Dirty Bastard and received directions to heaven. Artistry is timeless, and since he has the means to have his talent heard by the world – the sky is the limit for this man who had an album cover with his head in the clouds (bit too obvious but I guess artists will always push the envelope).Fill in your details below or click an icon to log in:You used to call me on my, you used to, you used to Please let Auto-Tune/cast-privy Shumpert and this song be a lesson that good intentions can have horrible, horrible outcomes. Ironically, Yuna’s rendition is most Drake-like in execution—she comes around but doesn’t do much else besides give a straight read of the material in her own voice. Thing is, Drake’s lyric is unremarkably meat-and-potatoes in spots, and you can tell because everyone who succeeded at remaking it did so either by singing the shit out of it, tweaking the lyrics, or some clever combination of both.
Loading... Unsubscribe from MrQuelika? Drake - Hotline Bling. Supposedly there’s a whole mixtape of these reduxes forthcoming, and everyone should be very scared. Brandi Ellard 228 views.
When Chris Brown and Tyga and all them thought they got one over on bad girls with “Loyal,” Keysh assembled a ragtag band of underrated hip-hop/R&B Avengers—Mila J, K. Michelle, Lil Mo, Da freaking Brat—and coldly flipped it on the boys.
When you be looking dope and ah be admiring like want to have some attention from you. The evil robot harmonies shadowing her voice are an intriguing armament, but the song really opens up when she ditches em and fans her lead vocal out into three interlocking parts two-thirds of the way through.