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Her albums were sleek, smooth pop with a slight digital sheen loosely related to current dance music — or at least, a certain corner of it during EDM’s burgeoning early ’10s heyday — but they weren’t club music. The album features the singles “Midnight” and “Selfish Love” as well as Tickets are available Bassist/vocalist Emma Hanlon had this to say about the song in a press release: “I love Blondie and Kilian [O’Kelly] overheard me singing along to them one night.
Jessica Lois Ware (born 15 October 1984) is an English singer-songwriter and podcaster. When the album was announced she shared another new song from it, “I feel like these last few years I’ve had to do some exploration to figure out what I wanted to write about musically again and learn new things about myself. Welcome to the 25th Songs of …
Glasshouse is the third studio album from Jessie Ware, released on October 20, 2017 via Island Records. It focuses on parasitic relationships and breaking away from toxic patterns of interaction. “I had been having a lot of anxiety when I was onstage. There were many strong contenders this week.
on the horizon, we reveal the singer-songwriter's ten biggest songs so far. Nothing so apocalyptic happens on Lucy Dacus’ “Fool’s Gold,” but she does end a party at her own house by drinking champagne dregs alone, which is not Truth in advertising: “Grim” is pretty grim. Jessie Ware was in need of a rebirth. I wasn’t even thinking about playing. Her debut album, Devotion, came out August … Jessie Ware is an English singer whose music mixes R&B, hip-hop, pop, soul, and quiet storm. Subscribe now for more from the authority on music, entertainment, politics and pop culture. Sometimes her sorrow manifests itself in beauty, as when Gately hypnotically repeats, “I was about a silly man’s string.” But even those more accessible passages are eerie, and they’re increasingly swallowed up by terror, until it all ends in a horrific peal of strings. The album was recorded at Chalice studios in Los Angeles at the end of 2019. “Keep on dancing.” “Mirage (Don’t Stop)” is grounded by a sticky bass line that’s impossible not to move along to, fulfilling Ware’s command to do just that. So much so that we have 13 honorable mentions and almost considered making the main list longer than a Top 10.This week we posted My Favorite Album interviews with To help you sort through the multitude of fresh songs released in the last week, we have picked the 10 best the last seven days had to offer, along with highlighting other notable new tracks shared in the last week. While “Freeze Tag” coasts on a smooth and relaxed groove, its lyrics are culturally relevant, with Phoelix singing: “They told me put my hands up behind my head/I think they got the wrong one/I'm sick and tired of runnin'/I've been searching where the love went.../They tell me if I move they gonna shoot me dead.” Terrace Martin also recently released the new protest song “PIG FEET,” which was one of our We don’t usually include cover songs in the Top 10 of our Songs of the Week, but covers aren’t usually this revelatory.
We’re starting to sound more like ourselves.”Wasner released her debut full-length album under her Flock of Dimes solo project, Wasner will be performing a Flock of Dimes livestream concert on Tuesday, June 30 at 7 p.m. This song has a wonderful message that people should recognize. It’s a rewarding listen — just brace yourself before pressing play. If you’re going to cover the Waterboys, “The Whole Of The Moon” is a wise choice — it’s a hell of a song, a standout from their 1985 release However the specifics worked out — Apple contributed her rendition for the closing credits of And each little tweak of the Waterboys’ formula is interesting — when the beat dustily shuffles to life instead of replicating any kind of booming ’80s snare, the fact that she keeps the trumpet fanfare but counters it with a ragged, intense reading of the song’s outro. Her follow-up record, Tough Love (2014), reached number nine in the United Kingdom. “At the same time, it felt very appropriate to use it as a kind of test song to record with my live band, to see if we’d work as well in the studio as we do onstage—I’d always wanted to play live in the studio like in the ’70s. These two things do not always go together.
Her albums were sleek, smooth pop with a slight digital sheen loosely related to current dance music — or at least, a certain corner of it during EDM’s burgeoning early ’10s heyday — but they weren’t club music. The album features the singles “Midnight” and “Selfish Love” as well as Tickets are available Bassist/vocalist Emma Hanlon had this to say about the song in a press release: “I love Blondie and Kilian [O’Kelly] overheard me singing along to them one night.
Jessica Lois Ware (born 15 October 1984) is an English singer-songwriter and podcaster. When the album was announced she shared another new song from it, “I feel like these last few years I’ve had to do some exploration to figure out what I wanted to write about musically again and learn new things about myself. Welcome to the 25th Songs of …
Glasshouse is the third studio album from Jessie Ware, released on October 20, 2017 via Island Records. It focuses on parasitic relationships and breaking away from toxic patterns of interaction. “I had been having a lot of anxiety when I was onstage. There were many strong contenders this week.
on the horizon, we reveal the singer-songwriter's ten biggest songs so far. Nothing so apocalyptic happens on Lucy Dacus’ “Fool’s Gold,” but she does end a party at her own house by drinking champagne dregs alone, which is not Truth in advertising: “Grim” is pretty grim. Jessie Ware was in need of a rebirth. I wasn’t even thinking about playing. Her debut album, Devotion, came out August … Jessie Ware is an English singer whose music mixes R&B, hip-hop, pop, soul, and quiet storm. Subscribe now for more from the authority on music, entertainment, politics and pop culture. Sometimes her sorrow manifests itself in beauty, as when Gately hypnotically repeats, “I was about a silly man’s string.” But even those more accessible passages are eerie, and they’re increasingly swallowed up by terror, until it all ends in a horrific peal of strings. The album was recorded at Chalice studios in Los Angeles at the end of 2019. “Keep on dancing.” “Mirage (Don’t Stop)” is grounded by a sticky bass line that’s impossible not to move along to, fulfilling Ware’s command to do just that. So much so that we have 13 honorable mentions and almost considered making the main list longer than a Top 10.This week we posted My Favorite Album interviews with To help you sort through the multitude of fresh songs released in the last week, we have picked the 10 best the last seven days had to offer, along with highlighting other notable new tracks shared in the last week. While “Freeze Tag” coasts on a smooth and relaxed groove, its lyrics are culturally relevant, with Phoelix singing: “They told me put my hands up behind my head/I think they got the wrong one/I'm sick and tired of runnin'/I've been searching where the love went.../They tell me if I move they gonna shoot me dead.” Terrace Martin also recently released the new protest song “PIG FEET,” which was one of our We don’t usually include cover songs in the Top 10 of our Songs of the Week, but covers aren’t usually this revelatory.
We’re starting to sound more like ourselves.”Wasner released her debut full-length album under her Flock of Dimes solo project, Wasner will be performing a Flock of Dimes livestream concert on Tuesday, June 30 at 7 p.m. This song has a wonderful message that people should recognize. It’s a rewarding listen — just brace yourself before pressing play. If you’re going to cover the Waterboys, “The Whole Of The Moon” is a wise choice — it’s a hell of a song, a standout from their 1985 release However the specifics worked out — Apple contributed her rendition for the closing credits of And each little tweak of the Waterboys’ formula is interesting — when the beat dustily shuffles to life instead of replicating any kind of booming ’80s snare, the fact that she keeps the trumpet fanfare but counters it with a ragged, intense reading of the song’s outro. Her follow-up record, Tough Love (2014), reached number nine in the United Kingdom. “At the same time, it felt very appropriate to use it as a kind of test song to record with my live band, to see if we’d work as well in the studio as we do onstage—I’d always wanted to play live in the studio like in the ’70s. These two things do not always go together.