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Black Feminism Reimagined: After Intersectionality (Next Wave: New Directions in Women's Studies) Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in.After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. . Lose Your Mother: A Journey Along the Atlantic Slave Route There was an error retrieving your Wish Lists.
In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." — Alex Zamalin, "[A]t once meditative and theoretical, stylistically meticulous and spacious, intensely personal and a work of assembly.” — Matt Hooley, "Sharpe’s project operates as a praxis of attendance that requires one to be with and to carry—not to watch, but to hold—the present traumas and indignities forced upon Black people and to simultaneously persist, to insist Black life, expression, love, and future in and through the wake of deliberate antiblack trauma that is ?rmament, soil, water, and climate." In the Wake is a ground-breaking book that reflects on personal tragedies, historical violence, current movements and politics.
Working through literary, visual, and personal texts, she develops and theorizes four interrelated terms ("the wake"; "the ship"; "the hold"; and "the weather") for describing and engaging facets of Black life. Refusing melancholy in favor of care, (Best Books of 2016) "The book that will live on in me from this year is Christina Sharpe’s"[A] masterclass on form, and a must-read for those of us committed to the beautiful sentence, as well as the work of what is commonly called theory." Enter your mobile number or email address below and we'll send you a link to download the free Kindle App.
. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Race and American Culture)
. Like Coltrane, Sharpe plays and fractures form in the wake of Black life, insisted upon, as she puts it, in the face of imminent and immanent Black death and “in the residence time” inhabited by our ghosts and our Gods. Please try again Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Conceptually agile, Sharpe moves from theorizing the wake (in what I found to be the strongest section) to …
— Saidiya Hartman, author of "Christina Sharpe's deep engagement with the archive of Black knowledge production across theory, fiction, poetry, and other intellectual endeavors offers an avalanche of new insights on how to think about anti-Blackness as a significant and important structuring element of the modern scene. Christina Sharpe’s In the Wake: On Blackness and Being proceeds from an image of the long afterlife of transatlantic slavery as a wake trailing behind a ship, playing on the word’s other meaning as a watch kept over the dead and echoing the widespread use of “woke” to mean politically aware. Cutting across theoretical genres, Christina Sharpe is Associate Professor of English at Tufts University and the author of Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. Your recently viewed items and featured recommendations . In the Wake stands at the thematic and methodological crossroads of Black literary, visual and queer studies and philosophy.
It is truly a gift. As this deathly repetition appears here, it is one instantiation of the wake as the conceptual frame of and for living blackness in the diaspora in the still unfolding aftermaths of Atlantic chattel slavery.
One of the most important books of its time--searing, eloquent, impeccable. Sharpe begins her text and her theorization of the wake autobiographically, wading us through the thickness of the deaths of her eldest sister, IdaMarie Sharpe, her nephew, Caleb Williams, and her brother, Stephen Wheatley Sharpe, all occurring over the course of ten months, between May 2013 and February 2014.
Outstanding. Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. In this way, "Mourning can be and has been a politics, but it must avoid becoming only a litany of horrors.
Please try againSorry, we failed to record your vote. Profound. Lose Your Mother: A Journey Along the Atlantic Slave Route
Christina Sharpe is Associate Professor of English at Tufts University and the author of Finalist, 2017 Hurston/Wright Legacy Award in Nonfiction .
Please try againSorry, we failed to record your vote. Through her curatorial practice, Sharpe marshals the collective intellectual heft and aesthetic inheritance of the African diaspora to show us the world as it appears from her distinctive line of sight. I spent the rest of the year hearing the echoes of it in a lot of my thinking and writing.
Black Feminism Reimagined: After Intersectionality (Next Wave: New Directions in Women's Studies) Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in.After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. . Lose Your Mother: A Journey Along the Atlantic Slave Route There was an error retrieving your Wish Lists.
In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake." — Alex Zamalin, "[A]t once meditative and theoretical, stylistically meticulous and spacious, intensely personal and a work of assembly.” — Matt Hooley, "Sharpe’s project operates as a praxis of attendance that requires one to be with and to carry—not to watch, but to hold—the present traumas and indignities forced upon Black people and to simultaneously persist, to insist Black life, expression, love, and future in and through the wake of deliberate antiblack trauma that is ?rmament, soil, water, and climate." In the Wake is a ground-breaking book that reflects on personal tragedies, historical violence, current movements and politics.
Working through literary, visual, and personal texts, she develops and theorizes four interrelated terms ("the wake"; "the ship"; "the hold"; and "the weather") for describing and engaging facets of Black life. Refusing melancholy in favor of care, (Best Books of 2016) "The book that will live on in me from this year is Christina Sharpe’s"[A] masterclass on form, and a must-read for those of us committed to the beautiful sentence, as well as the work of what is commonly called theory." Enter your mobile number or email address below and we'll send you a link to download the free Kindle App.
. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Race and American Culture)
. Like Coltrane, Sharpe plays and fractures form in the wake of Black life, insisted upon, as she puts it, in the face of imminent and immanent Black death and “in the residence time” inhabited by our ghosts and our Gods. Please try again Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Conceptually agile, Sharpe moves from theorizing the wake (in what I found to be the strongest section) to …
— Saidiya Hartman, author of "Christina Sharpe's deep engagement with the archive of Black knowledge production across theory, fiction, poetry, and other intellectual endeavors offers an avalanche of new insights on how to think about anti-Blackness as a significant and important structuring element of the modern scene. Christina Sharpe’s In the Wake: On Blackness and Being proceeds from an image of the long afterlife of transatlantic slavery as a wake trailing behind a ship, playing on the word’s other meaning as a watch kept over the dead and echoing the widespread use of “woke” to mean politically aware. Cutting across theoretical genres, Christina Sharpe is Associate Professor of English at Tufts University and the author of Amazon calculates a product’s star ratings based on a machine learned model instead of a raw data average. Your recently viewed items and featured recommendations . In the Wake stands at the thematic and methodological crossroads of Black literary, visual and queer studies and philosophy.
It is truly a gift. As this deathly repetition appears here, it is one instantiation of the wake as the conceptual frame of and for living blackness in the diaspora in the still unfolding aftermaths of Atlantic chattel slavery.
One of the most important books of its time--searing, eloquent, impeccable. Sharpe begins her text and her theorization of the wake autobiographically, wading us through the thickness of the deaths of her eldest sister, IdaMarie Sharpe, her nephew, Caleb Williams, and her brother, Stephen Wheatley Sharpe, all occurring over the course of ten months, between May 2013 and February 2014.
Outstanding. Activating multiple registers of "wake"—the path behind a ship, keeping watch with the dead, coming to consciousness—Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation. In this way, "Mourning can be and has been a politics, but it must avoid becoming only a litany of horrors.
Please try againSorry, we failed to record your vote. Profound. Lose Your Mother: A Journey Along the Atlantic Slave Route
Christina Sharpe is Associate Professor of English at Tufts University and the author of Finalist, 2017 Hurston/Wright Legacy Award in Nonfiction .
Please try againSorry, we failed to record your vote. Through her curatorial practice, Sharpe marshals the collective intellectual heft and aesthetic inheritance of the African diaspora to show us the world as it appears from her distinctive line of sight. I spent the rest of the year hearing the echoes of it in a lot of my thinking and writing.